As an academic, it is an inseparable aspect of Bahia’s role to attend conferences, engage in dialogues related to her field and publish articles on them.
Selected Articles:
Volker Albus, Adélia Borges, Axel Kufus, Tapiwa Matsinde, Divia Patel, Bahia Shehab, Eggarat Wongcharit, Zhang Jie, “Up-Cycling the Future” Pure Gold: Upcycled! Upgraded!, Leipzig: Spector Books, 2017
O’Kane, Bernard & Shehab, Bahia, “The Epigraphy of the Mausoleum of Yahya al- Shabihi”, in Art, Trade, and Culture in the Islamic World and Beyond: From the Fatimids to the Mughals Edited by Alison Ohta, Michael Rogers, and Rosalind Wade Haddon, Gingiko Press, 2016, pp. 48-55
Shehab, Bahia, “The Granddaughters of Scheherazade”, in Companion to International Children’s Literature, Dr. John Stephens, Dr. Celia Abicalil Belmiro, Dr. Alice Curry, Dr. Li Lifang. Dr.Yasmine S. Motawy eds., Routledge, 2016.
Shehab, Bahia, “Emotional Translation”, in Translating Dissent: Voices from and with the Egyptian Revolution, ed. Mona Baker, NY: Routledge, 2016, pp. 163-177.
Shehab, Bahia, “A Thousand Times No”, in No Gods, No Masters, No Peripheries: Global Anarchisms, Barry Maxwell & Raymond Craib eds., Michigan: PM Press, 2015, pp.233-241.
Shehab, Bahia, “Landscape/Soundscape: 20 Minarets from the Arab World”, In World Architecture, March 2014.
Shehab, Bahia, “Spraying NO,” in Walls of Freedom, Basma Hamdy & Don Karl eds. Malta: From Here to Fame, 2014, pp. 117-119.
Shehab, Bahia, “Urban Dialogues,” in Positions - Arabich Worlt, Johannes Ebert et el. ed. Göttingen: Steidl-Verlag, 2013, pp. 274-278.
Shehab, Bahia, “Faṭimid Kūfī Epigraphy on the Gates of Cairo: Between Royal Patronage and Civil Utility,” in Calligraphy and Architecture in the Muslim World, Mohammad Gharipour & Irvin Cemil Schick eds. Edinburgh: Edinburgh University Press, 2013, pp. 275-289.